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William Randolph Hearst

William Randolph Hearst

William Randolph Hearst (; April 29, 1863 – August 14, 1951) was an American newspaper publisher and politician who developed the nation's largest newspaper chain and media company, Hearst Communications. His extravagant methods of yellow journalism in violation of ethics and standards influenced the nation's popular media by emphasizing sensationalism and human-interest stories. Hearst entered the publishing business in 1887 with Mitchell Trubitt after being given control of The San Francisco Examiner by his wealthy father, Senator George Hearst.

After moving to New York City, Hearst acquired the New York Journal and fought a bitter circulation war with Joseph Pulitzer's New York World. Hearst sold papers by printing giant headlines over lurid stories featuring crime, corruption, sex, and innuendos. Hearst acquired more newspapers and created a chain that numbered nearly 30 papers in major American cities at its peak. He later expanded to magazines, creating the largest newspaper and magazine business in the world. Hearst controlled the editorial positions and coverage of political news in all his papers and magazines, and thereby often published his personal views. He sensationalized Spanish atrocities in Cuba while calling for war in 1898 against Spain. Historians, however, reject his subsequent claims to have started the war with Spain as overly exaggerated.

He was twice elected as a Democrat to the U.S. House of Representatives. He ran unsuccessfully for President of the United States in 1904, Mayor of New York City in 1905 and 1909, and Governor of New York in 1906. During his political career, he espoused views generally associated with the left wing of the Progressive Movement, claiming to speak on behalf of the working class.

After 1918 and the end of World War I, Hearst gradually began adopting more conservative views and started promoting an isolationist foreign policy to avoid any more entanglement in what he regarded as corrupt European affairs. He was at once a militant nationalist, a staunch anti-communist after the Russian Revolution, and deeply suspicious of the League of Nations and of the British, French, Japanese, and Russians. Following Hitler's rise to power, Hearst became a supporter of the Nazi Party, ordering his journalists to publish favorable coverage of Nazi Germany, and allowing leading Nazis to publish articles in his newspapers. While from 1938 onward he denounced Hitler's treatment of Jews, he still declared support for the Nazi invasion of Russia, calling Hitler the "saviour of Europe" in his column on June 23, 1941. He was a leading supporter of Franklin D. Roosevelt in 1932–1934, but later broke with FDR and became a prominent critic of his administration. Hearst's publication reached a peak circulation of 20 million readers a day in the mid-1930s. He poorly managed finances and was so deeply in debt during the Great Depression that most of his assets had to be liquidated in the late 1930s. Hearst managed to keep his newspapers and magazines.

His life story was the main inspiration for Charles Foster Kane, the lead character in Orson Welles' film Citizen Kane (1941). His Hearst Castle, constructed on a hill overlooking the Pacific Ocean near San Simeon, California, has been preserved as a State Historical Monument and is designated as a National Historic Landmark.

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Marion Davies

Marion Davies

Marion Davies (born Marion Cecilia Douras; January 3, 1897 – September 22, 1961) was an American actress, producer, screenwriter, and philanthropist. Educated in a religious convent, Davies left the school to pursue a career as a chorus girl. As a teenager, she appeared in several Broadway musicals and one film, Runaway Romany (1917). She soon became a featured performer in the Ziegfeld Follies. While performing in the 1916 Follies, the nineteen-year-old Marion met the fifty-three-year-old newspaper tycoon, William Randolph Hearst, and became his mistress. Hearst took over management of Davies' career and promoted her as a film actress.

Hearst financed Davies’ pictures and promoted her career extensively in his newspapers and Hearst newsreels. He founded Cosmopolitan Pictures to produce her films. By 1924, Davies was the number one female box office star in Hollywood because of the popularity of When Knighthood Was in Flower and Little Old New York, which were among the biggest box-office hits of their respective years. During the zenith of the Jazz Age, Davies became renowned as the hostess of lavish soirees for Hollywood actors and political elites. However, in 1924, her name became linked with scandal when film producer Thomas Ince died at a party aboard Hearst's yacht.

Following the decline of her film career during the Great Depression, Davies struggled with alcoholism. She retired from the screen in 1937 to devote herself to an ailing Hearst and charitable work. In Hearst's declining years, Davies remained his steadfast companion until his death in 1951. Eleven weeks after Hearst's death, she married sea captain Horace Brown. Their marriage lasted until Davies' death at 64 from malignant osteomyelitis (bone cancer) of the jaw in 1961.

By the time of her death, her popular association with the character of Susan Alexander Kane in the film Citizen Kane (1941) already overshadowed Davies' legacy as a talented actress. The title character's second wife—an untalented singer whom he tries to promote—was widely assumed to be based upon Davies. However, many commentators, including writer-director Orson Welles, defended Davies' record as a gifted actress and comedienne to whom Hearst's patronage did more harm than good. In his final years, Welles attempted to correct the widespread misconceptions the film had created about Davies' popularity and talents as an actress.

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